The game industry – and the world in general – continues to grapple with the implications of increasingly-impressive generative AI technology. I touched on the intersection of AI and game development in earlier articles, but since then the tech has only become more prevalent and mainstream. Chatbots are now the first line of defense for […]
Robot Overlords: Developing Games in a Future of Generative AI Read More »
One of the games I’ve worked on that I’m most proud of was the first Orcs Must Die! game. It was a modest title built by a small team that achieved commercial success and great user reviews. Orcs Must Die! started life as a prototype built from the bits and pieces of another scrapped project.
Once More With Feeling: Building Game Sequels and Remakes Read More »
My fourteen-year-old son just finished eighth grade, which means next year I’ll have a high schooler in the house. I’m finding the prospect hard to process. He’s no longer a kid, and he’s interesting, unique, and opinionated – rapidly becoming his own person, with his own ideas (and, in typical teenage fashion, rejecting a lot
Hot Elf Summer: The Return of Family Dungeons & Dragons Read More »
I spent a little time over the weekend playing Ker Nethalas. It’s a solo-focused pen-and-paper dungeon crawler, thematically dark with a heavy emphasis on dice-chucking combat. There’s not a lot of story to the game. If you’re looking for the great narratives that systems like Ironsworn generate, you won’t find them wandering through the endless
Spring Cleaning: Tidying-Up Time for the Game Industry Read More »
Game design was a less specialized vocation when I first entered the industry. Teams were smaller and most designers wore all the hats – systems, content, and narrative. Still, my previous experience as a writer and editor meant I often got tapped for narrative work. My first contract job was creating single-player campaign story content
Hand in Hand: Building Better Narratives for Games Read More »
In 1997, as the Blade Runner game at Westwood was winding down and getting ready to ship, the core team was tired. The project had been a long haul, with many ups and downs. We were proud of the final product, but none of us relished the idea of starting on a sequel – and
Nautical by Nature: Breaking the Curse of the Pirate Game Read More »
Just before sixth grade, I moved from rural New Hampshire to the planned suburbs of Columbia, Maryland. The environments could not have been more different. It took a while to make new friends, but within a year or so, I started to settle in and find “my people.” It was in those formative middle-school years
Thin Red Lines: The Problematic and Evocative War Game Read More »
I am really bad at Hunt: Showdown. Crouched on the top floor of the rusted-out stairwell in the ruins of the old prison – a place that always feels like a trap – I feel like have all the approaches covered. I’d placed a concertina trap at the bottom of the stairs, a nasty trip
Bullets in the Bayou: Design Lessons in Hunt: Showdown Read More »
A freelance consultant’s days are busy but unpredictable. For any given week, I might have work for multiple clients, or I might be tinkering with my own game, or I might be seeking out new contracts for a future quarter. Most likely it’s a mix of all three. Consulting doesn’t have anywhere near the security
Mayhem, Madness, and Games: Farewell to 2023 Read More »
The story has to start with The Wheel. I am not a gamer who buys a lot of hardware and peripherals. I eventually get around to getting a console or two every generation, but I’m never first in line and I wait for the price cuts. I’m primarily a PC gamer, but I’ll go five
East Bound and Down: A Love Letter to Euro Truck Simulator 2 Read More »